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Encountering Gary Snyder
April 23, 1998
Gary Snyder's name had been at the edges of my
consciousness for many years. As a reader of journals such
as Co-Evolution Quarterly and its successor,
Whole Earth Review (later, Whole Earth
Magazine), Utne Reader, Orion, and
others, I would occasionally see Snyder's articles and
poems, but they didn't stick in my brain, though I knew
that I ought to be familiar with him. Ginsberg and Kerouc
were likewise hovering around the periphery (though I had
the fortune to hear Ginsberg read a number of years ago and
subsequently read a few of his poems), and I had never
managed to read Dharma Bums. My real introduction
to Snyder came in a chance encounter with Axe
Handles - at a time when I was beginning my
explorations into poetry. Stanford already had a copy or
two, so off it went to the annual book sale; I thought it
would be a good opportunity to familiarize myself with his
work. I enjoyed reading the poems out loud and they weren't
difficult to understand.
In the years since picking
up Axe Handles, I occasionally returned to the
book for models and inspiration for my own poetry. I saw
the publicity surrounding Mountains and Rivers Without
End last year [1997] and knew it was time to go more
deeply into his poems. I picked up a copy just before
leaving on a backpacking trip in the Emigrant Wilderness
and brought it along so I could share parts of it with my
friends (each time I backpack, I bring something literary
to share around the campfire or at sunset, most often my
own stories and poems). I didn't get around to reading any
poems from Mountains and Rivers until we were in
the car on the way home - not the ideal venue. I can
usually read cold, but I quickly began to drown in "Bubb's
Creek Haircut." "Night Highway 99" wasn't much easier. The
more I read, the less I knew what I was reading, or how to
read it. I finished both poems gasping for breath and
barely treading water. My friends had no idea what they had
just heard.
I jumped at the chance to
hear Snyder read in October 1997 and was overjoyed to
listen to "Bubb's Creek Haircut," "Night Highway 99" and
all the others that I didn't dare read for my friends. In
the performance of these poems, the words didn't
necessarily make much more sense, but the sounds of the
words made all the difference. I could understand the poems
in terms of rhythm and music. I knew how to read them
myself. From those clues, I felt that I could come into an
understanding of the meaning, and if that didn't work, at
least I could now share their music with my friends. In the
midst of a deep emotional crisis which consumed me much of
the fall, I went on the road to the Eastern Sierra, landing
one night in the White Mountains near the Bristlecone
Pines. I sat on the ground in one of the groves and read
"The Mountain Spirit" out loud. I felt as though I had come
on a pilgrimage -
Evening breeze up from the
flats [it was a damn
cold breeze that night]
from the valleys "Salt" and "Death"-
Venus and the new moon sink in a deep blue glow
behind the Palisades to the west,
needle-clusters shirring in the wind-
listen close, the sound gets better
The words and the act of
reading them out loud comforted and excited me as I sat
watching the long shadows and endless ranges of mountains
in the distance. Although the Mountain Spirit didn't visit
me that night, I slept easier than I had the previous
several.
I decided I wanted to get
closer to understanding Snyder's poetry and for the
pleasure of looking closely at a work of art. I also wanted
to understand how nature works in his poetry, as a way of
expanding my own poetic world. Despite being strongly
oriented towards nature and the outdoors, my writing had
been largely focused on the great themes of European (and
urban) literature, and the natural world has been largely
absent. Most attempts I made had only frustrated me in the
banality of the results; I didn't understand why it should
be so difficult, but fortunately, I persevered and have
since experienced Gary Snyder and his poetry as great
models and teachers. I continue to learn a great deal from
him.
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